PRELIMINARY STUDY FOR DEPTH: THE UPPER HALF OF HIGH
AND LOW
LINCOLN CENTER OUT OF DOORS. NEW YORK PREMIERE - August 15, 2009 "The sheer craftsmanship of Mr. Dendy’s dances was obvious, through-the-body energy from every performer gave it excitement, and the high level of mixture of psychology and populism was compelling. In particular Mr. Dendy can handle an ensemble of 16 or more (there were 24 dancers in all) in developing patterns, with contrasts of background and foreground, latitude and longitude, left and right, that were on several occasions mesmerizing... “Preliminary Study for Depth: The Upper Half of High and Low,” had qualities that would add distinction to many a Broadway production.'' Alastair MaCaulay THE NEW YORK TIMES
"Dendy’s
“Study for Depth” conjures a rather militant youth anthem. Dancers cut
forcefully across the stage in inexorable patterns inspired by M.C. Escher’s mind
bending lithographs. Mr. Dendy’s phrases often double back on themselves,
seemingly to implode before the audience’s eyes. Relentless… Striking. The
final image is chilling. The age of man is over, the age of the dancer has begun" Claudia La Rocco THE NEW YORK TIMES http://www.nytimes.com/2008/07/18/arts/dance/18fest.html
GOLDEN BELT
GOLDEN BELT. DOWNTOWN DURHAM, NC. Site-specific work - July 2009
"Another Dendy Dandy. Choreographer drums up another winning piece at Golden Belt.''
Cliff Bellamy THE HERALD SUN
I’M
GOING TO MY ROOM TO BE COOL NOW, AND I DON’T WANT TO BE DISTURBED
"Dendy is a most unusual talent. The wild, mad, beautiful and
extraordinarily energized choreography is all danced to Janis Joplin, Jimi
Hendrix, Grace Slick, Lou Reed, Joni Mitchell, The Temptations, even ends up
with a runaround finale to Led Zeppelin. The dances are brilliant!" Clive
Barnes THE NEW YORK
POST "Mr. Dendy’s piece is an expertly staged and
directed suite of dances set to music of the time, performed by dancers who
defy the laws of gravity, with supple technical skill and unflagging energy.
The good time that he and his dancers are having is infectious.''
Jennifer
Dunning THE NEW YORK TIMES http://www.nytimes.com/2001/01/13/arts/dance-review-teenage-pickup-gambits-all-to-the-tunes-of-the-70-s.html
"Mark Dendy Dance and Theater’s world premiere of “Cool Now” provided an evening of pure pleasure. With his flair for the dramatic, erotic, stylish, funky and wild, Dendy with his dancers concocted a dance that proved modern dance can be good and entertaining too." Susan Broili THE DURHAM HERALD SUN
"Dendy Dance and Theater got their reticent Santa Barbara audience up on its feet with “Cool Now”, a piece easily accessible to a broad audience that hit its mark in brio and brilliance. And that’s not to say the work doesn’t present its challenges."
Korina R. Jochim THE SANTA BARBARA HERALD
DREAM ANALYSIS
"Dendy turns symmetry and twinning into the stuff of nightmares, schizophrenia and ribaldry… For all the mordant hilarity there is fine choreography and terrific performing… Both thrilling and deeply funny. Dendy confounds such distinctions all the time." Deborah Jowitt VILLAGE VOICE
"The play is wonderfully economical. Never before have I seen dream logic, substitutions, apparitions and associations put to such good use on a stage. “Dream Analysis” ends with the two Nijinsky doing a hoppy new style version of the original “Afternoon of the Faunes”. Tortured in his life, the great dancer now sent a blessing from afar.'' Joan Acocella THE WALL STREET JOURNAL